Midnight in Paris–a film that takes us back to Jazz Age Paris and the Lost Generation. And then the city in the Belle Epoque. It could just as well have been turn-of-the-century Vienna, 1950s New York, Victorian London, Hollywood in the silver screen era, or the Silicon Valley in the 70s. Today, I want to share part one of a favorite, and often overlooked, example of this idea–the idea that a time and a place so captures and consumes an age, it changes history so utterly, for better or worse or both. Germany in the mid-19th century “Romantic” period did just that, with beautiful, and sometimes terrifying, ideas.
Monday seems like the perfect day of the week to dive down the proverbial rabbit hole, perhaps into a museum’s collection. There are plenty of items awaiting individual discovery, like these eleven tea-related objects from the Metropolitan Museum of Art.
Now what many Parisians consider an arrondissement almost wholly belonging to tourists, Montmartre was once a bucolic village on a hill where artists flocked to escape from the city. Something about this cross between city and country inspired the beautiful and, often, the absurd.
Disney’s teams of animators and designers are known around the world for their unparalleled creative, innovative artistic vision and, historically, most of these great talents were men. But as it turns out, one of the most influential concept artists in the Disney arsenal was a woman named Mary Blair. Disney lovers everywhere have her to thank for the amazing imagery of well-loved mid-century favorites and one of Disney World’s most iconic rides. Continue reading “The Unsung Concept Artist Behind Disney’s Mid-Century Blockbusters”
Famous architect Kisho Kurokawa designed this groovy building for a world’s fair in Osaka called EXPO ’70–the first to be held in Japan. Kurokawa took a great interest in philosophy and idealized, himself, that every culture has two traditions: the visible and the invisible.
For those familiar with Gerhard Richter, he is often associated with his abstract, colorful “squeegee” works. A large portion of his artistic production, however, consists of photo paintings that include his trademark “blur.” In this particular painting–one of his early works–Richter copied a photo of his Aunt Marianne holding Richter as an infant. His Aunt developed Schizophrenia, spent 21 years in a sanatorium, and was euthanized in 1945 as part of Nazi Germany’s “Aktion T4” program, meant to “cleanse” society of mentally “unfit” individuals.
What do Robert De Niro’s dad, Cy Twombly, and Robert Rauschenberg have in common? Continue reading “How Backwoods North Carolina Became the Frontier of the Avant-Garde”